![]() If a hard science-fiction mystery show is what you’ve been looking for, then “Silo” more than fits the bill. Each episode delivers plenty of action and questions, emphasizing killer cliffhangers. The first few episodes were directed by Morten Tyldum and quickly set the tone of this cerebral drama. Showrunner Graham Yost has created a thrilling science-fiction mystery from the pages of Howey’s novel series. Right from the start, “Silo” was in good hands. Juliette didn’t start her life in mechanical engineering, and how her history with her father unfolds is one of her most captivating story arcs. There’s also emotional side as her relationship with her estranged father, Dr. Not only ensuring that this world is authentically replicated on screen, but that any story within its walls benefits as a result. There is no denying that Silo benefits from having a passionate team of creatives behind it, while the presence Hugh Howey as an executive producer brings its own kind of kudos. Tim Robbins is especially brilliant here, playing a dry IT autocrat with a nice line in cold stares, and the show is bolstered by a wealth of veteran British thesps, too (Harriet Walter, Geraldine James and Iain Glen all put in memorable turns). There, men and women live in a society full of regulations they believe are meant to protect them.Īmbitiously staged, with a central mystery that only grows more absorbing as it continues, Silo is another Apple-calyptic hit.
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